Our 2022-2023 Company

Marquis Dijon Archuleta (Ensemble in Romeo and Juliet; Teaching-Artist for The Romeo and Juliet Project; Ensemble in Cyrano de Bergeracis a graduate of the University of Montana’s School of Theatre & Dance program with a B.F.A. and a minor in Psychology. A few credits include: Of Mice and Men (Crooks), The Shawshank Redemption (Red), Pentecost (Antonio), Romeo and Juliet (Lord Capulet), and Jesus Christ Superstar (Simon Peter).

Ethan Sullivan Baker (Violinist for Cyrano de Bergerac) Violinist: OakwalkerThe m’Tones, Cabigao TrioDandelion Williams. Ethan is a session musician, composer, and a graduate of the University of Memphis Herff College of Engineering with a B.S. in Biomedical Engineering.

Paul Bernardo* (Comte de Guiche in Cyrano de Bergerac) returns to TSC where he previously appeared on stage as Iago in Othello and Cassius in Julius Caesar. Paul has worked extensively in regional theatre where his favorite roles include: PICT Classical Theater: Jane Eyre (Rochester), Orlando Shakespeare Theater: Julius Caesar (Brutus), St. Michael’s Playhouse & Theater at Monmouth: Blithe Spirit (Charles), Cape May Stage: Art (Marc) and Talley’s Folly (Matt), and Society Hill Playhouse: Kiss of the Spiderwoman (Valentin). Paul is a proud graduate of the Shakespeare Theater’s Academy for Classical Acting at The George Washington University.

Frank Bluestein (Executive Director/Senior Advisor) is the 1996–1997 Disney National Performing Arts Teacher of the Year and the 1994 Tennessee Teacher of the Year.  USA Today named Mr. Bluestein as one of the top forty teachers in the United States in 1998.  Until his retirement in 2013, he served as chair of the Germantown High School Fine Arts Department; as artistic director of the school’s theatre, the Poplar Pike Playhouse; and as executive producer for Germantown Community Television, the school’s nationally acclaimed television production center. Graduates from his program include Saturday Night Live star Chris Parnell; film, television, and stage actress Missi Pyle; Emmy-winning casting director Scott Genkinger (Desperate Housewives & NYPD Blue); NPR reporter Debbie Elliott; TSC’s Dan McCleary; and Blue Man Group actor Wes Day.  Mr. Bluestein is a past winner of the American Theatre Association’s John C. Barner Award, and has served as an arts advisory panelist for numerous organizations, including the National Endowment for the Arts.  In addition to his work at TSC, he currently serves as executive director of the Tennessee Arts Academy, a leading professional development institute for arts teachers located in Nashville on the Belmont University campus.  Mr. Bluestein spent several years as director of shows at Opryland, USA, and he most recently wrote and directed the national touring production of Beale Street Saturday Night starring blues legend Joyce Cobb.  In 2013, he was inducted into the Educational Theatre Association’s Hall of Fame in Minneapolis.

Parker Chase (Administrative and Box Office/Sales Manager) is a graduate of Middle Tennessee State University (B.S. in Theatre Performance). Acting credits: MTSU: Peter Pan (Peter Pan), Polly in the world premiere of The EarthlingGruesome Playground Injuries (Kayleen), and The Adding Machine (Daisy); New Moon Theatre: The Moors (The Moor Hen). Lighting Designer for Wait Until Dark, Props Master for Kafka’s Metamorphosis and How I learned to Drive.  She interned with Starfish Circus in 2015 and coached at French Woods Performing Arts Camp in 2017 teaching static trapeze and partner acrobatics. In 2018, Parker interned with the Orpheum Theatre’s Education Department and stage managed TSC’s Jack Jones Children’s Literacy Gala in 2022.

Amaree Cluff* (Roxanne in Cyrano de Bergerac) teaches acting and serves as the mainstage costume designer as an Associate Professor of Theatre at Southern Virginia University. Acting credits: Heritage Theatre Festival: Pirates of Penzance, 1776, and Annie, Get Your Gun. Virginia Rep: Tartuffe. Imagination Stage: Double Trouble. Virginia Shakespeare Festival: Taming of the Shrew and As You Like It. Costume design credits with SVU include Into the Woods, Sense & Sensibility, Pirates of Penzance, Silent Sky, Scrooge!, A Midsummer Night’s Dream and many others.

Pedro da Silva* (Assistant Stage Manager for Cyrano de Bergerac) Stage management credits: A Closer Walk With Patsy Cline, Nat Turner in Jerusalem, Little Women, Dancing at Lughnasa, The Secret Garden, and Hamlet. Pedro served as a stage management intern at Playhouse on the Square from 2020-21. Currently, he serves as their Director of Videography. Education: Trevecca University in Nashville with a B.F.A. in Dramatic Arts and a B.S. in Film and TV.

Amelia Fischer (Director of Cyrano de Bergerac) is an Atlanta director, actor, fight, and intimacy director who has worked for theatres from Washington D.C. to Washington state and is deeply happy to be returning to one of her first artistic homes: TSC. Directing and assistant directing credits: TSC: Hamlet, asst. director, Untethered Theatre Project: An Inspector Calls, Rice University: Much Ado About Nothing, The Gainesville Theatre Alliance: The Kiss and Shakespeare in Action, and Lamar University: Silent Sky. As co-fight directors, Amelia and her brother Connor Hammond have worked with The Alliance, Actor’s Express, Kenny Leon’s True Colors Theatre, Theatrical Outfit, Horizon, and Synchronicity. Amelia teaches at Kennesaw State University and is proud to have received her M.F.A. from the University of Houston’s PATP, her B.A. from Coastal Carolina University, and her training from the Gainesville Theatre Alliance. www.AmeliaFischer.org

Jeremy Allen Fisher (Production Manager; Technical Director; Resident Lighting Designer) TSC: Ada and the Engine, MacbethAs You Like ItWaiting for GodotMuch Ado About NothingTo Kill a Mockingbird, All’s Well That Ends Well, Twelfth Night, Richard III, The Taming of the Shrew, Unto the Breach, It’s a Wonderful Life, Hamlet. Jeremy is a member of United Scenic Artists Local USA 829 and a graduate of Oklahoma City University. He has worked with Theatre Memphis, Youngblood Studios, Opera Memphis, Ballet Memphis, University Of Memphis, Memphis’ Orpheum Theatre, Seattle Opera, Desoto Family Theatre, New Day Children’s Theatre, and New Ballet Ensemble. Some of his other credits include lighting Memphis’ Broad Avenue Water Tower, Wiseacre’s new Taproom, and several works at Saint Jude’s Research Hospital and Lebonheur Children’s Hospital. Awards: 2017 TAC Individual Artist Award, and 11 Ostrander Award nominations with four wins for Lighting Designs.

Kristen Fisher (Props Designer for Cyrano de Bergerac) TSC: Props Manager: The Tempest, The Glass Menagerie, The Complete Works…, It’s a Wonderful Life, Hamlet, Taming of the Shrew, To Kill a Mockingbird; Stage Manager: Pericles, Showplace Memphis. Kristen is the Director of Production for Ballet Memphis, now in her eleventh season with the company. She is a graduate of Mason Gross School of the Arts at Rutgers University.

Amy Forester (Scenic Designer and Charge Artist for Cyrano de Bergerac) Playhouse on the Square: Nat Turner in Jerusalem, Murder for Two, The Toymaker’s Apprentice, To All A Good Night, St. Paulie’s Delight. Selected artistry credits include: Something Rotten, Smokey Joe’s Cafe, A Doll’s House I and II, Little Shop of Horrors, Days of Rage. New Works at the Works: Shanktown, The Goodbye Levee, Ivanka Vs. Reality. U of M Opera: Ruddigore. Houston High School: Mr. Rodger’s Living Room Replica. Georgia Southern University: Addam’s Family the Musical. American University in Bulgaria: Amadeus. Amy is a graduate of Georgia Southern University with a B.F.A. in Technical Theatre, and is currently a freelance designer and scenic artist in the Memphis area.

Blake Galtelli-Meek (Hair, Wigs, & Makeup Designer for Cyrano de Bergerac) Credits: Opera Memphis: Scalia/Ginsburg, Pagliacci, Pygmalion, The Companion, Così fan tutte, and ToscaBlake has over 15 years of experience in the beauty industry including theater, film, print, editorial, and artist training and development. 

Cara McHugh Geissler (Director of Education; Ensemble in Cyrano de Bergerachas worked in TSC’s Education Department for the past nine years managing programs and teaching youth. Cara played Biondello in TSC’s Taming of the Shrew and Lady Capulet in Romeo and Juliet. While in Louisville, Cara taught children’s theatre at Encore Youth Theatre and at Adelante Hispanic Achievers. She also taught for both the University of Louisville and Spalding University. Cara served on the Board for The Bard’s Town Theatre in Louisville, where she performed in Misses Strata, Reasons to Be Pretty, and Just Like Life. Education: Murray State University (B.A. in Theatre and Political Science); University of Louisville (M.F.A. in Theatre Performance).

Nathan Greene (Assistant Technical Director for The Free Shout-Out Shakespeare Series: Macbeth) TSC: Ada and the Engine. Other Credits: La Cage aux Folles, Ragtime, Falsettos, Eurydice, Man of La Mancha, Rocky Horror Show. Nathan is a graduate of the University of Tulsa’s Theater program with a B.A. in Theater Design and Technology.

Lauren Gunn (Senior Resident Actor; Lady Macbeth and Ensemble in Macbeth; Ensemble in Romeo and Juliet and Cyrano de Bergerac; Teaching-Artist for The Macbeth Initiative and The Romeo and Juliet ProjectTSC: Henry VI, Macbeth, Ada and the Engine, Romeo and JulietMiss Bennet: Christmas at Pemberley. Southern Arena Theatre: Boeing BoeingI Hate Hamlet. New Stage Theatre: A Midsummer Night’s DreamCrimes of the HeartA Christmas CarolCat in the Hat. Fish Tale Group Theatre: Voice of Freedom Summer. Unframed: ConstellationsGruesome Playground Injuries. Lauren is a new ensemble member of the improv group Playback Memphis, as well as an associate instructor candidate for Dueling Arts International. Education: University of Southern Mississippi (M.F.A. in Acting).

Lamar Alonzo Hardy (Ensemble in Romeo and Juliet and Teaching-Artist in The Romeo and Juliet Project) is a recent graduate from the University of Louisville with an M.F.A. in African American Theatre Programs, while also receiving his African American Theatre certificate. University of Louisville: Fires in the Mirror, Detroit 67’, The Birds, #Hashtag, and Split Second. Cincinnati Shakespeare Company: CSC’s Twelfth Night Tour, and King Lear. Lamar is excited to be part of the TSC company this year! https://lhlhezzy40.wixsite.com/lamar-acting/home & https://ir.library.louisville.edu/etd/3875/

Pershon Harper (Malcolm/Witch in Macbeth; Teaching-Artist for The Macbeth InitiativeTSC: Amongst the Stars of Jesmyn Ward, Jack Jones Children’s Literacy Gala. Other credits: A Bright Room Called Day, R and J and Z, and A Midsummer Night’s Dream LITE. Education: Pershon holds a B.F.A. in Performance from the University of Memphis.

Valerie Henley (Wardrobe for Cyrano de Bergerac) Costume Design for Orlando Fringe premiere of Thankskilling: The Musical. Featured Entertainment Costumer for Metropolis Productions, Universal Orlando, Nickelodeon, and Walt Disney World. Memphis productions include Priscilla, Queen of the Desert, Gentelman’s Guide to Love and Murder, The Drowsy Chaperone, Hairspray, Little Women, Urinetown, and Evil Dead: The Musical.

Allison Hesselberg (Ensemble in Romeo and Juliet; Teaching-Artist for The Romeo and Juliet ProjectThe Romeo and Juliet Project is Allison’s first credit with TSC. Allison is a graduate of the University of Wisconsin-Madison with majors in Theatre and Drama and in Chinese, and a minor in East Asian Studies. University of Wisconsin-Madison credits: The 39 Steps, White Rabbit Red Rabbit, Sonnets for an Old Century, Rashomon, Don Juan, and A Piece of My Heart.

Stuart Heyman (Ragueneau in Cyrano de BergeracTSC: As You Like It (Old Adam), The Comedy Of Errors (Duke Solinus), All’s Well That Ends Well (Lefew), The Taming of the Shrew (Baptista), Othello (Brabantio), As You Like It (Corin). Theatre Memphis: Dracula (Van Helsing). Circuit Playhouse: Peter and the Starcatcher (Alf) and Tom Sawyer (Doc Robinson). Desoto Family Theatre: My Fair Lady (Henry Higgins) and Oliver! (Fagin). Germantown Community Theatre: Man of La Mancha (Cervantes/Quixote). New Moon Theatre: The Homecoming (Teddy).

Denice Hicks (Emily Dickinson and Co-Author for I Dwell In Possibility: Emily Dickinson Emerges) has been performing for over 50 years and is currently the Artistic Director of the Nashville Shakespeare Festival, a company dedicated to community enrichment through professional theatrical experiences and interactive workshops. Educated at Point Park University, her first Shakespeare role was Juliet at the historic Pittsburgh Playhouse in 1979. She moved to Nashville in 1980 to perform at Opryland USA, toured for two years on the dinner theater circuit, was an original company member of the Nashville Repertory Theatre, and was among the founders of both the Darkhorse Theater and People’s Branch Theatre. She has been a guest lecturer at many universities and with the Cooperative Center for Study Abroad program for three weeks in Stratford-Upon-Avon, and London. She was honored by the Nashville Scene as one of the “Twenty-five Nashvillians who’ve shaped the city for the better since 1989” and is frequently voted “Best Stage Actor” by their readers. Denice has been involved in over 70 productions of Shakespeare’s works, with some of her favorite roles being Puck, Ophelia, Juliet, Rosalind, Viola, Olivia, Katherine, Cassius, the Duke of York (Richard II), and Ariel. Non-Shakespeare favorites are Stella (A Streetcar Named Desire), Ouiser (Steel Magnolias), Lenny (Crimes of the Heart)Major Barbara, various roles in numerous new works, and she toured the entire state as Emily Dickinson in “The Belle of Amherst” for Humanities Outreach of Tennessee. Denice is thrilled to be reviving her passion for Emily Dickinson’s poetry with Stephanie Shine and is honored to be working with Tennessee Shakespeare Company.

Brigette Hutchison (Costume Hand for Cyrano de BergeracCostume Design credits: A Thought in Three PartsDefiant, Late May Be Dark, and Fear & Desire. Lighting Design credits: 69 Love Scenes, Warpstar Sexy Squad, Blood, Sweat, & Cheers. Hutchison served as resident designer for Ready|Set|Go! Dance for 9 years. Hutchison has a B.F.A. in Technical Theater with an emphasis in Costume Design from USM where she co-designed Scapin with Fred Lloyd & was nominated for a Barbizon Award. She worked as a professional technician in Austin, Texas for 14 years.

Rose James (Duncan/Witch in Macbeth; Ensemble in Romeo and Juliet; Teaching-Artist for The Macbeth Initiative and The Romeo and Juliet Projectis a graduate of the University of Southern Mississippi with a B.A. in Theatre.

Joe Johnson (Sound Designer for Macbeth) is a singer-songwriter, composer, sound designer, and educator. Since the pandemic, Joe has shifted his focus from live performance to composition and education but is looking forward to returning to the performance world. He recently attended Folk Alliance International with Music Exports Memphis. He performs regularly in and around Memphis, and writes and records with several other Memphis musicians. Joe is looking forward to releasing new music in the coming year. He has received numerous awards for composition and sound design, including the Ostrander award for theatrical sound design for Sarah Ruhl’s Eurydice. He has composed music for films, plays, and commercial presentations. He composed music featured in New York and Memphis Fashion Weeks.  He taught music in Mississippi, Tennessee, and Arkansas public schools, integrating language arts and mathematics into the music classroom, and he is currently teaching in Memphis. He received his Master’s degree from the University of Southern Mississippi and did more post-Graduate work at the University of Georgia. He approaches his work as a working musician with the mind of an educator and continues to seek out opportunities to enrich the lives of other musicians as he shares in numerous collaborative projects. Joe lives in Memphis with his wife, Nichol, and their cat.

Michael Khanlarian (Macbeth in Macbeth; Teaching-Artist for The Macbeth Initiative; Ensemble in Cyrano de Bergeracis a founding company member of TSC where he has worked as a teacher/coach for Juvenile Justice, Feast of Crispian-South (serving our military veterans at the Memphis V.A), and many communities across the Mid-South. Michael is also a proud member of Playback Memphis and rounds out his outreach as a teaching-artist for the Orpheum. Michael is pleased to continue to call TSC his second home.

Dan McCleary* (TSC Founder and Nancy R. Copp Producing Artistic Director; Director of Trouble Begins at Eight: Mark Twain; Cyrano in Cyrano de Bergerac), a native of Memphis, has created, directed, and acted in most of TSC’s productions, including the inaugural production of As You Like It, also Ada and the EngineBlue Roses of Tennessee WilliamsJulius CaesarWaiting for GodotThe Glass MenagerieThe Taming of the ShrewRichard IIITo Kill a MockingbirdMuch Ado About NothingErnest Hemingway in Key WestFlannery O’Connor’s Georgia GothicAll’s Well That Ends WellTwelfth Night, Hamlet, The Tempest, Macbeth, A Midsummer Night’s Dream, the all-female Julius CaesarOthello, The Complete Works of William Shakespeare (abridged), Themes from a Midsummer Night with IRIS Orchestra, Classical Creations in Quarantine, and Shakespeare’s Election of Coriolanus. As Associate Artistic Director/Communications Director at Shakespeare & Company in the Berkshires (1993-2005), Dan acted in and directed over 30 productions, including his acclaimed production of The Servant of Two Masters, his own adaptation of Anaïs Nin’s Henry and June, as well as Vita & Virginia (Vita Sackville-West and Virginia Woolf), My Own Stranger (Anne Sexton), and The Fiery Rain (Edith Wharton/Henry James/Morton Fullerton). Other regional directing credits of Shakespeare and new work: Seattle Shakespeare, Orlando Shakespeare, and Georgia Shakespeare. He has played over 120 roles on stage, including Coriolanus (thrice), Richard III (twice), Macbeth (twice), Falstaff, Marc Antony, Caliban, Brutus, Petruchio, Hotspur, Bottom, Master Ford, Stephano, Antipholus and Dromio of Ephesus, Cassio, Bertram, Demetrius, Silvius, Herman Melville, Porfiry, Charles Dickens, The Gentleman Caller, Tom Wingfield, and Bertha Bumiller in the Greater Tuna series. Dan is a published poet, and the creator/director/actor of plays Speak What We Feel: Shakespeare’s Radical Response to a Radical Time, Unto the Breach, Quintessence: Shakespeare in Performance, and Classical Creations in QuarantineMemphis Magazine named him among the “Who’s Who in Memphis” for six years (including 2022). Dan presented his TEDx Talk “Shakespeare in Kindergarten, or Let Fall Rome” in Memphis in 2020, and the Germantown Arts Alliance honored him with its 2009 Distinguished Arts and Humanities Medal for Performing Arts. He holds a B.A. in Advertising and Journalism from Temple University, has served on the Boards of Herman Melville’s Arrowhead and the City of Germantown’s Telecommunications Commission, and he is the dad and Little League baseball and football coach of all-star 12-year-old twin musicians, Sullivan and Collins.

Barbara McFall (Bookkeeper) brings over 35 years of experience in leadership and operations to TSC, with a history of working in the accounting industry. Barbara has held positions across the financial spectrum from accounting and human resources manager to co-owner of an accounting software resale and support company.

Susan Moskop (Ensemble in Romeo and Juliet and Teaching-Artist in The Romeo and Juliet Project) TSC: The Romeo and Juliet Project. Theatre Memphis: A Christmas Carol, 2021 and 2022 (Mrs. Crowe, Mrs. Dilber, Narrator). Susan earned a B.A. from Tulane University and an M.A. from the University of Mississippi in English Literature. She also volunteers in the wardrobe department at TSC.

 

 

Kellan Oelkers (Witch/Rosse in Macbeth; Ensemble in Romeo and Juliet; Teaching-Artist for The Macbeth Initiative and The Romeo and Juliet Project; Ensemble in Cyrano de Bergerac) TSC: MacbethThe Romeo and Juliet ProjectHenry VI. Theatre Memphis: Our Town. Quill Theatre: The Merry Wives of WindsorThe Two Gentlemen of Verona. NextStop Theatre: A Midsummer Night’s Dream. Baltimore Shakespeare Factory: Romeo and Juliet. Theater J: The Jewish Queen Lear. Kellan is a graduate of Georgetown University with a B.A. in Theater and Performance Studies.

Joshua Payne (Ensemble in Poetic Justice: Works by Incarcerated Youth in Memphisis a graduate from the University of Memphis with a Bachelor of Fine Arts.

Nicolas Dureaux Picou (Senior Resident Actor; Banquo in Macbeth; Ensemble in Romeo and Juliet; Teaching-Artist in The Macbeth Initiative and The Romeo and Juliet Project, Christian in Cyrano de Bergerac), a native Memphian, has worked with TSC since 2016. Roles with TSC: As You Like It (Orlando), Macbeth (Malcolm), Romeo and Juliet (Romeo), Comedy of Errors (Dromio of Ephesus), Ada and the Engine (Lords Lovelace and Byron), Henry VI: The Wars of the Roses (Warwick/Cade), and The Tempest (Ariel). Literary Salons: Boats Against the Current (Nick), Blue Roses of Tennessee Williams (Jim O’Connor), and Truman Capote’s Christmas Memory (Queenie). Nic also serves students in Shelby County classrooms as a Romeo and Juliet Project teaching-artist, and he leads poetry classes for incarcerated youth in Shelby County as part of TSC’s Juvenile Justice program. Nic dedicates his work with children to the memory of his dear friend, Fred: equal parts empathy, intelligence, and luminous idealism.

Pete Pranica (Mark Twain in The Trouble Begins at Eight: Mark Twain) TSC: Mark Twain at Twilight. Pete has been the television voice of the NBA’s Memphis Grizzlies since 2004 and a broadcaster since his high school days. Since graduation from the University of Notre Dame with a B.A. in American Studies, his sportscasting career has encompassed both regional and national work with the NBA, NFL, WNBA, college sports, and the Olympics. He was voted by his peers as the Tennessee Sportscaster of the Year in 2017 and is currently a member of the TSC Board.

Hugh John Raup (Stage Manager for Romeo and Juliet) National Players Tour 70: The Crucible, Twelfth Night, and Around The World In 80 Days. Other credits: 24 Hour Plays: Memphis and Arsenic and Old Lace. Directing Credits: A Christmas Carol at Theatre Memphis. Hugh is a graduate of American University with a B.A. in Theatre Performance with a Minor in Business & Entertainment.

Ellen Ring (Prosthetic Artist for Cyrano de Bergerac) Theatre Memphis makeup/prosthetics designs: Young Frankenstein the Musical, The Addams Family, Shrek! The Musical, Arsenic and Old Lace, Beauty and the Beast, La Cage aux Folles, Sideshow. Other credits: Liberace, Judy Garland, Sweeny Todd, national touring productions of Shrek! The Musical, The Addams Family, Memphis the Musical, and Beauty and the Beast. Ellen served as a special effects apprentice for a few episodes of television’s The Walking Dead and holds various production credits for performance, dance, wig design, and wardrobe for tours. 

Edmond Rostand (Playwright of Cyrano de Bergerac) was born April 1, 1868, and died December 2, 1918. He was a French poet and playwright associated with Neo-Classicism.  His most popular creations, then and now, are Cyrano de Bergerac (1897) and Les Romanesques (1894), which you may know more readily as the musical, The Fantasticks. Born in Marseille to a wealthy family, Edmond studied the arts in college in Paris.  He wrote against the Realism grain of the stage period and attracted the actor Sarah Bernhardt to his work. His Cyrano was a celebrated smash from the beginning, playing 300 consecutive nights and rivaling the popularity of Hugo’s dramatic verse plays. The historical person named Cyrano of the 17th Century was Rostand’s childhood hero for his idealism and courage. Rostand became the youngest writer ever to be elected to the Acadème Francaise. The creator of at least a dozen plays, Rostand died prematurely in France during its flu pandemic. He left his poet wife and two sons.

Desiree Ruiloba* (Stage Manager for I Dwell In Possibility: Emily Dickinson Emerges and Cyrano de Bergerac) is a graduate of the University of Houston’s School of Theatre and Dance, earning her B.F.A in Stage Management. Stage Managing credits: Mildred’s Umbrella Theatre Co.: El Huracan; EDG Lighting: School of the Americas; University of Houston: An Ideal Husband, Come and Take it, and Haroun and the Sea of Stories.

William Shakespeare (Playwright of Romeo and Juliet and Macbeth) survived the Bubonic Plague, which was rampant during his 52 years.  Just a few months after William was born in Stratford in 1564, the plague descended on the town and killed 20% of its citizens.  Very little could be done to eliminate the plague other than strict quarantining.  The London playhouses would be shut down for months at a time when church roles reflected at least 30 people dying in one week.  As a playwright, Shakespeare lived through four extended plague quarantines that put London in lockdown.  It is estimated that between 1606 and 1610, Shakespeare’s playhouses were only open for nine months, during which time he wrote Macbeth, Antony and Cleopatra, The Winter’s TaleCoriolanus, and The Tempest.  He likely worked on King Lear as well.  As always with our namesake, he lends a lesson to us as we re-emerge.

Kaitlyn Shamley (Development and Communications Manager) is a lifelong Memphian and has a passionate interest in music history and the ancient Mediterranean. Her time as a Rhodes College student sparked a desire to foster an appreciation and understanding of past cultures and their artistic works. In her spare time, she enjoys reading and visiting museums. Education: Rhodes College (B.A. in History).

Stephanie Shine+ (Director of Outreach/General Manager/Gala Coordinator/Resident Artist) TSC directorial credits include Henry VI: Wars of the Roses, Macbeth, Miss Bennet: Christmas at PemberleyHenry VA Midsummer Night’s DreamJulius CaesarIt’s a Wonderful Life: A Live Radio PlaySouthern YuletideShakespeare’s Greatest HitsShake(s), Rattle, and RollShakespeare Said ItLend Me Thy Sword, eleven productions of Romeo and Juliet, and many Literary Salons. On stage at TSC, she played the Abbess in The Comedy of Errors, Countess in All’s Well That Ends Well, the female roles in Unto the Breach, and Gertrude in Hamlet. Prior to joining TSC, she was Artistic Director of Seattle Shakespeare Company, a position she enjoyed for 13 years. Other directorial credits include King Lear and As You Like It for Houston Shakespeare Festival, The Taming of the Shrew and The Comedy of Errors for Colorado Shakespeare Festival, the award-winning one-woman internationally-touring Marilyn Monroe Biopic, Marilyn: Forever Blonde, and several new works for Seattle’s Book-It Repertory Theatre. Her production of I am of Ireland (which she also conceived and adapted) opened Book-It’s 25th Anniversary Season in 2014. As an actor, she has performed with the Oregon Shakespearean Festival, NYC’s Theatre for a New Audience, Shakespeare Theatre of New Jersey, Seattle Repertory Theatre, Alley Theatre, Arizona Theatre Company, ACT, The Empty Space, and Seattle Children’s Theatre, among others. Roles include Juliet, Rosalind, Lady Macbeth, Beatrice, Regan, Feste, Kate, Bianca, Dionyza, the Princess of France, Hero, Perdita, and the Chorus in Henry V. The Germantown Arts Alliance honored her with its 2016 Distinguished Arts and Humanities Medal for Performing Arts. She is the mother of four exceptional people: Conor, Cahilan, Sullivan, and Collins. Education: graduate of the Pacific Conservatory of the Performing Arts; B.F.A in Acting from the University of Washington’s Professional Actor Training Program; M.F.A. in Directing from the University of Memphis.

Allison White (Costume Designer) Design credits: Theatre Memphis: You Can’t Take It with You; Tennessee Shakespeare Company: King Henry VI: The Wars of the RosesAda and the EngineRomeo and JulietMacbeth; University of Florida: PippinBetween Riverside and CrazyThe Day is Long to End; Cape Fear Regional Theatre: CarolineOr Change; Sarasota Youth Opera: The Secret World of Og; Theatre Raleigh: Smokey Joe’s CaféThe WolfAll My SonsThe Mystery of Edwin Drood, Carousel. Allison has also worked at several regional theatre and opera companies as a member of their costume production staffs. She has an M.F.A. in Theatre from The University of Florida. She is glad to be returning to Tennessee Shakespeare Company for this exciting season.

Mackenzie White (Ensemble in Poetic Justice: Works by Incarcerated Youth in Memphis and Romeo and Juliet, Teaching-Artist for The Romeo and Juliet ProjectTheatreworks: Shanktown (Jessie Smith). University of Memphis: Women of Lockerbie (Madeline Livingston), Anything Goes (Erma).  This is her first performance with TSC.

 

+ member of the Society of Stage Directors and Choreographers, Inc., an independent national labor union.

* Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States

 

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